François Le Lionnais and Raymond Queneau convene the first meeting of OuLiPo in Paris, bringing together mathematicians, writers, and theorists to explore the concept of constrained writing. Early members include Jean Lescure, Claude Berge, and Jacques Duchateau.
Potential Literature
Literature created using rules or constraints to generate new possibilities
Raymond Queneau publishes *Cent Mille Milliards de Poèmes*, a collection of ten sonnets with interchangeable lines, demonstrating the infinite possibilities of combinatorial literature.
14 interchangeable lines per sonnet generate 100 trillion unique poems
Georges Perec writes *La Disparition*, a 300-page novel entirely without the letter 'e', showcasing the group's fascination with extreme constraints. Perec’s work exemplifies OuLiPo’s inventive approach to narrative structures.
Lipogram
Text that avoids specific letters
Mathematician Claude Berge contributes significantly to OuLiPo by introducing graph theory as a method for structuring narratives. His insights lead to experiments with labyrinthine storytelling and nonlinear narratives.
Graph Theory
Using nodes and edges to map narrative possibilities
Georges Perec publishes *Life: A User's Manual*, a monumental work structured using a Graeco-Latin bi-square, showcasing the intersection of storytelling and mathematical precision. The novel solidifies his reputation as one of OuLiPo’s most inventive writers.
Graeco-Latin Square
A grid where each element appears only once per row and column
Italo Calvino, another prominent member, inspires early digital experiments with his fascination for combinatorial literature, influencing works such as hypertext fiction. Jacques Roubaud continues exploring constraints in poetry, bridging traditional forms with new digital media.
Algorithmic poetry and early interactive text experiments
Hervé Le Tellier and Anne F. Garréta lead OuLiPo into the digital age, experimenting with interactive platforms and computational literature. Garréta’s novel *Sphinx* becomes an icon of gender-neutral storytelling, aligning with contemporary literary innovation.
Interactive Literature
Works that require reader participation
Kenneth Goldsmith publishes Uncreative Writing: Managing Language in the Digital Age, advocating for a literary approach that embraces appropriation, plagiarism, and repurposing of existing texts to reflect the information-saturated digital era.
Conceptual Writing
A literary movement where the idea or concept behind the work is more important than the work itself
OuLiPo continues to innovate with writers like Ian Monk and Frédéric Forte, who experiment with AI and computational constraints, expanding the group's influence in digital and global contexts.
Works Cited
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Perec, Georges. La Disparition. Paris: Denoël, 1969. Link.
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Queneau, Raymond. Cent Mille Milliards de Poèmes. Paris: Gallimard, 1961.
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Perec, Georges. La Vie mode d'emploi. Paris: Hachette, 1978.
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Calvino, Italo. If on a Winter's Night a Traveler. Translated by William Weaver. New York: Harcourt Brace Jovanovich, 1979.
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Garréta, Anne F. Sphinx. Paris: Grasset, 1986.
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Le Tellier, Hervé. The Anomaly. Translated by Adriana Hunter. New York: Other Press, 2021.
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Roubaud, Jacques. Some Thing Black. Translated by Rosmarie Waldrop. Elmwood Park: Dalkey Archive Press, 1990.
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Mathews, Harry. Singular Pleasures. Boston: David R. Godine, 1999.
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Bellos, David. Georges Perec: A Life in Words. Boston: David R. Godine, 1993.
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Motte, Warren F. Oulipo: A Primer of Potential Literature. Lincoln: University of Nebraska Press, 1986.
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Poetry Foundation. "OuLiPo." Link.
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Wikipedia contributors. "Oulipo." Wikipedia, The Free Encyclopedia. Link.
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Wikipedia contributors. "Georges Perec." Wikipedia, The Free Encyclopedia. Link.